We are so pleased to welcome North Carolina native, Wendy Musser to the Cabell Gallery!
Oil and pastel landscape painting is her primary focus. Her education includes obtaining an Associate of Arts Degree from Peace College, and a Bachelor of Fine Arts Degree from the University of North Carolina at Greensboro. Returning to school later, she completed a second major in Interior Design at Meredith College.
After years of working in art related fields Wendy aspired to return to her college art training. She then began to study acrylic studio painting under Mary Anne K. Jenkins.
To better understand the landscape and to capture the inspiration of being in nature as one paints, in 2001 she began studying “plein air” pastel painting. Due to the array of pastel colors available the medium has energy and immediacy that makes painting on location an exciting experience. Translating the stimulation of painting in nature into a vivid yet harmonious image of colors is a rewarding challenge. The plein air paintings are generally worked to near completion while on the painting site. Back in the studio the pieces are evaluated and finishing touches are added. Once finished, they may become an inspiration for larger scale paintings.
Believing that learning should be a life long experience Wendy has continued to study pastel painting with Kevin Beck, Albert Handell, and Richard McKinley. Her studies in oil has been under Scott Christensen, Rick Mc Clure, John Poon and Libby Tolley. She is a Signature Member of the Pastel Society of America, a Charter member of PAiNT NC and the Pastel Society of North Carolina. She is the Co-fonder and Secretary of the Western Wake Artist Studio Tour and has been accepted in and received awards in juried shows in the Triangle Area since 1997.
"Plein air painting is not only observing the object as you paint it, but painting in the out of doors. My first experience with the medium of dry pastels and my first experience of painting in nature were at a workshop.
I was immediately hooked. I am convinced that painting out in nature is both the most challenging and most rewarding painting experience. Not all of my selected painting locations are breathtaking. All, however, are unique and the test is to create an inspiring image from any location. Concentrating on a single focus of interest among a vast array of subject matter is very challenging. Light changes so quickly that the image you see is constantly changing. As I paint, the light is quickly moving, the birds are singing, the bugs are biting, the air is refreshing (or muggy, or freezing) and the subject is directly in front of me for translation into a painting. Dealing with the distractions of the elements and working hard to capture a moment when the light is favorable makes the painting process even more exciting and exhausting.
My goal is to capture the beauty of the places that I have discovered and to lure viewers to want to visit the very spot where I have painted. God has given us a beautiful world that is quickly being altered by our actions. I hope that my painting experiences can preserve a glimpse of the natural beauty of this great land and to entice others to take time to celebrate the environment we have been given by enjoying the gift of our landscape"
(Pictured above: "Greener Pastures" 20x20 Pastel)